Alright, I’m finally going there. I’m tackling the ridiculousness of our obsession with *gasp* Shakespeare. I’ll wait for the death threats to arrive. But, let’s get real for a minute, we are obsessed with a man that wrote so beautifully that it often veils what is really going on.
We’ll start with everyone’s favorite (only because it’s usually the piece that everyone is forced to read in high school), Romeo and Juliet. Before diving in, I would like to note that I do know that this story idea was not originally Shakespeare (he borrowed a lot of the plot from Arthur Brooke and William Painter), however, his is most well known so that’s why I’m using this. Let’s take the simplest explanation of this play: Romeo, who is in his late teens or early 20s, is off moping because Rosalind won’t give him any. His buddy decides to get his mind off things by crashing a party. Juliet is two weeks away from turning 14 (let me repeat that-she is THIRTEEN) develops a crush on Romeo. I understand it was very different in their time period and the average age a person died at was much younger so technically she could be considered an adult but still, this would be considered a crush/puppy love in any time period. No matter what time period, she’s just going through puberty at the time this all happens. Her hormones are rushing like mad. Romeo, well think of any guy you know/knew in college. So, aside from the pedophilia, they “fall in love,” get married, make a plan to run away, fail to communicate said plan, and then commit suicide because they believe the other is dead. All of this is done in 24 hours. And because of this whole puppy love story, Romeo becomes associated with passionate male lovers? Excuse me? Are we serious? I would prefer not to have a Romeo in my life. I couldn’t handle the whole quick rebound, pedo, murderous, overly dramatic types of guys. And what about the parents? Why is it that these two deaths are so important that it makes you stop feuding? Is it because Juliet is the last surviving child of the Capulets? Is it that she’s a female? Is it because they chose to commit suicide (though, how would the parents really know that? It could have been a murder-suicide)? I think Paris, Tybalt, and Mercutio would argue that their deaths should have meant something instead of a side note of “Oh, yeah, those dudes died for no reason, too.” Romeo, I want you dead.
And Romeo and Juliet isn’t even the weirdest of Shakespeare’s plays. How about Twelfth Night? That’s all sorts of weird. I get Shakespeare was fascinated with cross dressing and, unless they dressed like a man, women of a certain status’ chance to do anything more than go to court with their husband or raise your children at home was, well, non-existent, but is anyone else even remotely creeped out by this fall in love while trying to convince everyone you’re a different sex and that it’s ok to pursue another female who happens to fall madly in love with you portraying someone else? And that’s not even touching on the subplot with Malvolio and what they do to that poor sap. If you don’t want to actually read the play, watch She’s The Man. Amanda Bynes is awesome, Channing Tatum is shirtless through half the film, and they actually do a partially decent job of bringing Twelfth Night into the common era and making it really work, unlike Romeo + Juliet which just seemed to slaughter the play’s dialogue. Duke/Channing Tatum (ok, mainly Channing Tatum. The Duke was always kind of a doofus to me), I want you.
There has to be something a bit off with a guy who brought us Hamlet (the scene with his mother alone), Richard III (have you heard/read his opening soliloquy?), Merchant of Venice (sorry Shylock, but anyone who wants another person’s skin as repayment is psychotic in my book) and A Midsummer Night’s Dream (hello orgies and heavy drug use). Not to mention, Shakespeare would probably put any frat boy to shame with how much his head is in the gutter. He wrote the book on double entendres (Much Ado About Nothing. ‘n O-thing=Elizabethan slang for vagina). Maybe we can thank his Dark Mistress for that?
Ah, Shakespeare, your elegant words make everything you’re actually writing about seem less creeptastic. We’ll forget about the pedophilia, the desire for human flesh (and not in the sexual way), and the flat-out psychotic breaks because at the end of the day, you really could write and tell a story, which have continuously been retold in the centuries since. So Shakespeare, I want you (dead).
*Yet another great band-All Time Low! “Do You Want Me (Dead?)” from their album Dirty Work. Improper punctuation aside, it’s a great song and a fun band. Go see them live if you can!